Amag! at Istituto degli Innocenti (Firenze)

Amag! visited the Istituto degli Innocenti (http://www.istitutodeglinnocenti.it). We met Stefano Filipponi (director at the museum) and Stefania Cottiglia (art educator). Istituto degli Innocenti collaborates with Amag! creating an article (23.09.2013).

The Istituto degli Innocenti in Florence has worked uninterruptedly for over six centuries, to help children and families. Founded at the beginning of the fifteenth century, it was the first secular institution dedicated to taking in children. The building was designed by Filippo Brunelleschi.

“Animaux à mimer”, Samozveri

rotchenko

Alexandre Rodtchenko, Serge Tretiakov

Unpublished book Samozveri ( Autoanimals), 1926-27

Édition MeMo “La Collection des Trois Ourses”, 2010
Isbn : 978-2-35289-074-4
Format : 28 X 21,5 cm

Cette histoire en vers raconte, en une suite de petites saynètes comment Viana, Katia jouent avec d’autres enfants à se transformer en toutes sortes d’animaux à partir de vêtements ou d’ustensiles à portée de main. Ce livre à jouer incite les enfants à “contrefaire” des animaux mais aussi à les faire eux-mêmes en papier à partir de formes très simples à assembler, ce qu’illustrent les photographies d’Alexandre Rodtchenko.

“Century of the Child” at MoMA

Exhibition: http://www.moma.org/interactives/exhibitions/2012/centuryofthechild/
Exhibition info: http://www.moma.org/visit/calendar/exhibitions/1239
Catalogue (first pages): http://www.moma.org/docs/explore/cotc.pdf

“MoMA’s ambitious survey of 20th century design for children is the first large-scale overview of the modernist preoccupation with children and childhood as a paradigm for progressive design thinking. The exhibition will bring together areas underrepresented in design history and often considered separately, including school architecture, clothing, playgrounds, toys and games, children’s hospitals and safety equipment, nurseries, furniture, and books.

In 1900, Swedish design reformer and social theorist Ellen Key’s book Century of the Child presaged the 20th century as a period of intensified focus and progressive thinking regarding the rights, development, and well-being of children as interests of utmost importance to all society. Taking inspiration from Key—and looking back through the 20th century 100 years after her forecast—this exhibition will examine individual and collective visions for the material world of children, from utopian dreams for the “citizens of the future” to the dark realities of political conflict and exploitation. In this period children have been central to the concerns, ambitions, and activities of modern architects and designers both famous and unsung, and working specifically for children has often provided unique freedom and creativity to the avant-garde.”